{"id":54,"date":"2019-12-12T23:58:06","date_gmt":"2019-12-12T22:58:06","guid":{"rendered":"http:\/\/tres-cordas.com\/?page_id=54"},"modified":"2026-04-12T15:14:20","modified_gmt":"2026-04-12T13:14:20","slug":"das-repertoire","status":"publish","type":"page","link":"https:\/\/tres-cordas.com\/gb\/das-repertoire\/","title":{"rendered":"The Repertoire"},"content":{"rendered":"\n<table>\n<tbody>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Antonin Dvorak<\/td>\n<td valign=\"top\">Slavonic Dance Nr. 2 op. 72, E-minor<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Alberto Ginastera<\/td>\n<td valign=\"top\">Danzas Argentinas op.2<br>II Danza de la moza donosa*<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Antonio Vivaldi<\/td>\n<td valign=\"top\">Concierto in D minor, RV 565<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Paolo Bellinati<\/td>\n<td valign=\"top\">Baiao de Gude<br>A Furiosa*<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Roland Dyens<\/td>\n<td valign=\"top\">O Trio Magico<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Manuel de Falla<\/td>\n<td valign=\"top\">Cancion*<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Luigi Boccherini<\/td>\n<td valign=\"top\">Introduction and Fandango*<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Dimitri Shostakovich<\/td>\n<td valign=\"top\">5 pieces for two violins and piano*<br>\nI Prelude<br>II Gavotte<br>III Elegy<br>IV Waltz<br>V Polka<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Jorge Cardoso<\/td>\n<td valign=\"top\">Entre hinojos, ortigas y cardos<br>Vals Peruano<br>Liliana (Milonga Porte\u00f1a)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">G. F. Haendel<\/td>\n<td valign=\"top\">Sarabande<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Gioachino Rossini<\/td>\n<td valign=\"top\">Il Barbiere di Siviglia*<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Enrique Granados<\/td>\n<td valign=\"top\">Danza Espa\u00f1ola No. 2, Oriental<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Philip GLass<\/td>\n<td valign=\"top\">String Quartett No.3 &#8220;Mishima&#8221;*<br>\nI 1957: Award Montage<br>II November 25: Ichigaya<br>V: Blood Bath<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Isaac Albeniz<\/td>\n<td valign=\"top\">Granada<br>Serenata<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Astor Piazzolla<\/td>\n<td valign=\"top\">L\u00b4Evasion<br>Suite Troileana*<br>Concierto para Quinteto*<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Gentil Montana<\/td>\n<td valign=\"top\">Porro*<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Roberto de Simonez<\/td>\n<td valign=\"top\">Tarantella 600*<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Joao Pernambuco<\/td>\n<td valign=\"top\">Sons de carilhoes<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">*transcription by Tres Cordas<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Antonin Dvorak Slavonic Dance Nr. 2 op. 72, E-minor &nbsp; &nbsp; Alberto Ginastera Danzas Argentinas op.2II Danza de la moza donosa* &nbsp; &nbsp; Antonio Vivaldi Concierto in D minor, RV 565 &nbsp; &nbsp; Paolo Bellinati Baiao de GudeA Furiosa* &nbsp; &nbsp; Roland Dyens O Trio Magico &nbsp; &nbsp; Manuel de Falla Cancion* &nbsp; &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/tres-cordas.com\/gb\/das-repertoire\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Repertoire&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":167,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-54","page","type-page","status-publish","has-post-thumbnail","hentry"],"translation":{"provider":"WPGlobus","version":"2.10.10","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/pages\/54","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/comments?post=54"}],"version-history":[{"count":41,"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/pages\/54\/revisions"}],"predecessor-version":[{"id":525,"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/pages\/54\/revisions\/525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/media\/167"}],"wp:attachment":[{"href":"https:\/\/tres-cordas.com\/gb\/wp-json\/wp\/v2\/media?parent=54"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}